Arkady Sevidov
Pianist, People's Artist of Russia, Professor of the Moscow State Conservatory P. I. Tchaikovsky
The mechanics of the presented instrument makes it possible to use all the piano techniques. The absolute feeling of double rehearsal. This is of particular interest where there is no opportunity to purchase pianos (music schools and some colleges). The decisive factor here is that it is impossible to teach how to control the sound on a (regular) piano - a double rehearsal is needed.
Polina Fedotova
Pianist, Honored Artist of Russia, Professor of the Moscow State Conservatory P.I. Tchaikovsky
The two-rehearsal piano is a wonderful Russian invention that has fulfilled the dreams of many performers. The instrument combines the scale of the sound characteristic of a concert grand piano and the features of a chamber instrument - softness and beauty of sound, responsiveness to subtle nuances. My students and I were fortunate enough to play this piano in a concert setting. All performers were pleasantly surprised by the instrument's capabilities. ... When playing, there is a feeling of contact with the instrument, when he himself, as it were, “offers” various nuances. I think that this instrument will be of interest to many performers, as well as heads of musical institutions.
Maxim Filippov
Professor of the Moscow Conservatory. P.I. Tchaikovsky
I had the pleasure to play on the wonderful development of the magnificent Russian master Igor Zhmotov - the Pobeda piano.
I was amazed, initially skeptical about the request to watch, listen and play the piano "with a grand (double) rehearsal". But my surprise knew no bounds when I started playing. The mechanics are really not inferior to the piano, the keys "respond" to pressing, it is possible to intonate the sound, and really the rehearsal is like on a perfectly adjusted piano !!! And not all pianos are capable of this.
Without the slightest hesitation, I could recommend this wonderful tool to both beginners and professionals!
I would love to have such a piano at home.
Vladislav Kazenin
Ex-Chairman of the Union of Composers of Russia, composer, People's Artist of Russia, Laureate of the State Prize
I support the talented invention of the wonderful piano master Igor Zhmotov: a piano with a double rehearsal, a full-fledged left pedal and a large sound range. The introduction of such a tool into production will help to solve a whole range of problems of education in schools and colleges. A professional pianist will also be glad to have such a unique instrument, approaching in feel and sound to a grand piano.
Tatiana Sergeeva
Honored Art Worker of Russia, Executive Secretary of the Union of Composers of Russia, Laureate of the D.D. Shostakovich, Laureate of the International Competition of Composers. S. S. Prokofieva, pianist, composer
The instrument is "amazing" in the literal sense of the word, since I have never seen anything like this in my long and long concert and teaching practice: a compact piano has the qualities of a good concert grand. The main advantage of this instrument is a double rehearsal, which allows one to perform (precisely to perform, not to practice) any virtuoso works. Such a piano should be in music schools in different cities.
Alexey Gerasimov
Artist of the Moscow State Academic Philharmonic, diploma winner of the international competition, member of the International Union of Musical Figures
I have never seen anything like it in terms of the sum of pianistic sensations and impressions. This is an original and highly thought-out mechanism capable of giving the performer and listener a lot of deep impressions. From a musical point of view, a very pleasant palette of sound colors and a velvety timbre can be noted.
Vladimir Nyankin
Laureate of international festivals, artistic director of the "People's Philharmonic" project
Playing this instrument is like walking in a spring forest, where you can turn to any path and repeat the bird's trill effortlessly. A two-rehearsal piano is a leap in time, it is freedom of expression, it is a friendly handshake, it is love at first sight!
Ayman Baimuldina
Pianist, Laureate of international competitions
Having played a new instrument, I felt as if I was studying the piano. This is amazing! When a whole grand piano (concert), with all its colossal possibilities and a bright, colorful sound, is placed in the body of an ordinary piano. The idea itself is praiseworthy, but the implementation, and even so! A sound, a touch, a pedal that responds even to a slight pressure ... words are not enough. I want to play and play!
Yuri Shikhov
Pianist, composer, General Director of the Center for Culture, Science, Health and Sports "Urga". Vice President of the Moscow Paralympic Committee. Advisor to the Commissioner for Human Rights in the Russian Federation
Thanks for the tool! It is very important that such an instrument has been created in Russia! Cool tool! It needs to be advertised and sold to all kinds of musical institutions. Thanks again!
Lena Orsa
Composer, pianist
Gorgeous piano! A very comfortable keyboard - moderately light, perfectly calibrated across the entire range! The feeling that you are playing a real concert grand piano! Delighted with the sound and color of the timbre! Finally, a really worthy instrument appeared on Musikmesse - ours, Russian! “Pobeda” made me very happy !!! Thank you very much!!! And further prosperity and success!
Evgeniya Perminova
Piano teacher (20 years of experience), Kazan
I experienced an aesthetic pleasure playing the Pobeda piano. I was struck by the beauty of the sound and the very sensation of touching the keys. I've been to paradise. A person who has extensive pedagogical experience in teaching piano, as well as a person who loves his instrument
Alina Starikova
Lecturer at the Kemerovo State Institute of Culture
Wonderful piano! A complete grand piano feel that meets all the wishes of the pianist. The instrument is very different from a regular piano, it has many more opportunities for the practice and professional development of a pianist. If the piano is very problematic to put in an apartment, then this POBEDA piano creates conditions for playing the piano in the house. Many thanks to the inventor and tool makers.
Irina Razumtseva
Pianist, keyboardist, composer. Laureate of international competitions.
The POBEDA double rehearsal piano has a fantastically pleasant sound. You want to sit at the instrument endlessly and enjoy its soft sound. You can play and win anything - this tool is so beautiful! And the most important thing for me, as an improviser, is that playing this instrument I have a lot of ideas and I can implement them. Thank you for such a new tool. Recommend!
Svetlana Ivanova
Teacher of the special piano department of the Children's Music School No. 74 in Moscow. Over 20 years of teaching experience.
The teacher of the Children's Music School and the parents of the students are delighted with the sound and sound production, the appearance! We wish you creative success!
Anton Zhuravlev
Visitor to the international music exhibition NAMM Musikmesse Russia 2018
Amid the surrounding noise, a sound came through my fingers. Strict, slender, deep. As for the keyboard: in comparison with the TOP tools, a very good level. The instrument with heavier mechanics resembled a grand piano; and the one with a slightly lighter keyboard is just perfect for home, study and concerts.
Dmitry Kosmachev
Director of the Moscow State Budgetary Educational Institution "Children's Music School named after N.Ya. Myaskovsky"
The two-rehearsal piano is sensitive to touch, responsive and allows you to control the sound throughout the entire range. The ability to confidently repeat a sound at any speed and any duration - sixteenth, thirty-second and shorter. The sensitivity to the touch of this piano is especially important for young novice pianists who, due to their age, do not have sufficient physical development. The compact dimensions of the instrument make it possible to use it both in halls and in ordinary classrooms of a music school. According to the teachers of our school, the playing qualities of this piano make it possible to use it when learning to play the piano, as a replacement for a grand piano.
Irina Demidova
Chief Methodist of the Vladimir Regional College of Music
The two-rehearsal mechanics of the new piano meets all the pianistic requirements of a grand piano in the performance of technically complex piano playing techniques, which provides a unique opportunity for young musicians to improve the technical side of playing the piano.
Garnysheva A.I.
Concertmaster, performer GBOU TsTDU them. A. V. Kosareva
On a two-rehearsal piano, you have the opportunity to achieve a grand piano effect - the ability to win all trills, grace notes - the keys are sensitive to the lightest touch of your fingers. The instrument is wonderful, its sound gives rise to inspiration and a desire to communicate with it again!
Nikita Amelin
Visitor to the international music exhibition NAMM Musikmesse Russia 2017
Very good instruments with very light mechanics, it is convenient to perform relatively complex pieces on them. The instruments also sound very good.
Overall, I personally would recommend them as very good and handy tools for performing arts.
Konstantin Kryukov
Pianist, visitor to the international music exhibition NAMM Musikmesse Russia 2018
Very nice, springy piano mechanics. The fingers themselves stand up where necessary and there is no excessive tension in the hands. It’s a pity that it’s so noisy here, and I didn’t have time to appreciate the sound. Smooth transition of the weight of the keys from bottom to top. A very unusual left pedal with no backlash. Serious tool. It is definitely worth considering and taking into account.
Natalia Razina
Composer, visitor to the international music exhibition NAMM Musikmesse Russia 2018
A very nice visual and tactile instrument. Excellent keys for weight and recoil. Because of the noise, it's hard to say anything about the sound. From what I've heard, it sounds kind of good. Very beautiful!
Pankova M.
Visitor to the international music exhibition NAMM Musikmesse Russia 2017
Feelings in your fingers - a full-fledged grand piano! I would like to see such instruments in children's music schools, creativity centers and at students' homes, so that classes at home imitate a scene! Thank you very much!!!
Olga
Visitor to the international music exhibition NAMM Musikmesse Russia 2017
The POBEDA instrument is, in my opinion, a worthy representative of keyboards. The mechanics of the keyboard are unique. Ideal for fast vehicles. The keys are light, yet have excellent bounce and very high sensitivity. In my opinion, when entering the market, it will become a worthy competitor not only for pianos, but also for grand pianos.
Albert (St. Petersburg)
Visitor to the international music exhibition NAMM Musikmesse Russia 2017
The POBEDA tool gave me great pleasure from the sensations that I got from playing this mechanic. Feelings as if you are playing the piano. Thanks to the team that developed and manufactured this mechanism.
Alexandra
Visitor to the international music exhibition NAMM Musikmesse Russia 2017
It's great to see a Russian innovation development tool! Elements of mechanics of a unique design, like a "mini-grand", are not present in any pianos from modern top manufacturers: neither Petroff nor Yamaha. This mechanism allows a much more controllable keystroke without even releasing it halfway. Success in promotion!
Visitor to the international music exhibition NAMM Musikmesse Russia 2018
Thank you for the opportunity to test yourself on this amazing instrument! Indeed, it is a unique tool that I have never encountered before. I am very glad that I learned about the existence of such a piano making technique. Thanks!
Visitor to the international music exhibition NAMM Musikmesse Russia 2018
The black piano "Pobeda" is equipped with a pleasant pressure firmness, easy on the fingers. The sound of the piano is grand piano, low and high frequencies are well heard.
Piano "Pobeda" white has a greater elasticity of the keys, but without losing the same comfort as on black. The bass is more pronounced, juicy, the top is a little cottony for perception.
In the meantime, there is no need to know about it. ”
But, in general, both instruments sound great.